The
Intersection of Teaching, Learning and Evaluation
Heather
M. Cote, Westwood Public Schools
Nearly
ever state in the U.S. now requires its teachers to be evaluated, at least in
part, by student growth measures. Although teachers in some states had Value-
Added Measures (VAM) with no connection to music content thrust upon them,
music educators in <STATE> may still work within their school districts
to determine the best means of exhibiting student growth in music. These are
known as District- Determined Measures. Many music teachers in <STATE>
have been collaboratively engaged in gathering evidence,
selecting, piloting, and revising appropriate these student growth measures.
In
spite of the relative fairness of this process, the double-layer of
accountability— providing evidence of student growth at the same time one
is demonstrating oneีs own teaching effectiveness—often is confusing.
Teachers in <STATE> receive a student impact rating as well as a
summative performance rating comprising four areas of teacher effectiveness:
(a) curriculum, planning and assessment; (b) teaching all students; (c) family
and community engagement; and, (d) professional culture. They often have little
guidance in how to connect evidence from District- Determined Measures for
student growth with their summative performance rating. Furthermore, many music teachers in <STATE> are evaluated by
administrators who lack background in music or other performing arts.
This can make teachers feel they are losing autonomy in their practice.
To
promote meaningful dialogue between teacher and evaluator, evaluations can
become more reflective in nature, involving the teacher in setting goals and
reflecting on their impact on their students, not just on student assessment or
one- shot classroom observations. However this becomes another variable for an
evaluator in the sense that the response and skill toward this initiative will
vary among both new and veteran teachers. This creates a challenge for the
evaluator both in evaluative responsibilities and creating an effective,
cohesive program and department. This session will be presented by a K-12
Performing Arts coordinator, providing current practical examples of evaluation
and assessment, the potential connection between teacher and student growth,
and demonstrate how educators can be reflective of their practice, while still
encouraging their students to develop as thoughtful, independent musicians.