Composing
Understanding: Community Partnerships as the Foundation for Culturally
Responsive Action
Jacqueline
Kelly-McHale, DePaul University
Student
lives inside of the walls of a school of music are often primarily focused on
the development of skills as related to performance, production, and education.
For students who pursue music education the reality is that their future
classrooms will probably not reflect the cultural identities that they have
developed. Building a culturally responsive community within a music education
program requires awareness of self and other, as well as an understanding of
social justice. This process does not occur solely as the result of a single
class or a field experience, and it is important to recognize that efforts
taken do not always translate into student awareness and empathy. Geographic
location may help the process, for example being located in an urban
environment; however, the insular nature of college often hinders that from
coming to fruition.
In
an effort to build an awareness of social justice and culturally responsive
teaching in a large metropolitan area, a multi-faceted partnership was
developed that involved elementary students and music education and performance
majors. The experience included a five-week residency, an on-site performance
that included university and elementary students, and debriefings at all
junctures of the partenrship. Central to the
experience was the five-week residency in a fifth grade classroom. Music
education students guided the elementary students through a composition project
related to a piece of music being performed by the university wind symphony.
The experience culminated with a performance by the university symphonic band
and the fifth grade composers. As the elementary students were writing their
own pieces of music for a performance, the symphony band students were learning
about the composerŐs process. The dialogue in both contexts was informed by the
process of composition, comments directly from the composer of the university
piece, culturally responsive teaching frameworks, and the belief that music
reflects and conveys our view of the world.
As
a result of this partnership, the university students developed an
understanding of the impact that geographic and socio-economic issues have on
students in public schools. Past experiences in music school and high school
did not prepare them for the reality that homelessness, gang violence, and
poverty directly impact the educational experiences of children. An awareness
of personal responsibility was also raised. For the elementary students having
the opportunity to share their musical ideas with their community and the
university students provided them with the understanding that their musical
ideas were meaningful. However, the reality that coming in and working with a
group of students for a brief period of time does not create a long-term
benefit was evident to all stakeholders. Come in, help out, leave... was not
our intention, and therefore we have begun to explore ways to sustain and
further develop a partnership at this specific site. The goal of this session
is to further the dialogue on the importance of community partnerships that
provide all students with opportunities to question their realities and the
impact of structural inequalities.